volume Number 12، number In Volume 3، Fall 2019 ، issue Number 45

Imagary Parameters in Sacret Defense Poetry

Mohsen Zolfaghari(Author in Charge), Ameneh Rostami

Abstract
Formalist critique of the image in the sacred defense ghazal Structural and formalist approaches to critique, based on the authenticity of literary criticism, are a novel and popular critique. Which have been influenced by linguistic theories of the twentieth century, especially Saussure"s theories in the field of linguistics. These approaches have a special emphasis on "the totality of literary work" and they embody authenticity for it. In literature, the most important feature that values the text is the image that is important in the eyes of the new and traditional theorists. Various definitions have been made around it, and researchers have long been interested in exploring different styles in their literary studies. Ghazal is also a good platform for the images of the minds of poets in different times and in recent years has also been a good opportunity for poetry dedicated to revolution and sacred defense. This poetic template is based on new and emerging content, creating new images in this area. In this study, drawing on the language and the image, we rely on the sonnets of the sacred defense, in a structured way, and re-examine the literary beauty For this purpose, a number of sonnets of prominent poets such as Hamid Sabzevari, Parvaneh Nejati, Seyyed Hassan Hosseini, Saeed Biabanakki and Mousavi Garmaroudi on the subject of sacred defense are studying the beauty of the result of accuracy in the form and effect of the work. , We found.

Keyword
Structure , image , sonnets , sacred defense , image

• Sartre, Jean-Paul (1969), What is Literature, translated by Abolhassan Najafi, Tehran: Zaman Publishing
• Imranpour, M. (2007), The importance of elements and structural features of words in the selection of poetry words, Gohar Goya Scientific-Research Journal, Volume 1, Number 1
• Biabanki, Saeed (2008), Far Away Garden, Tehran: Teka Publishing
• Ismaili, Reza (2011), A Study of the Evolution of the Sacred Defense Poetry, by Mohammad Ghasem Foroughi, TehranFoundation for the Preservation of the Values of Sacred Defense
• Mohabbaty, M. (2005), A Critical Study and Analysis of Radviani's Literary Views in the Translator of Balagha, Bi-Quarterly Journal of Persian Language and Literature Research, New Volume No. 4
• Talebian, Y (2007), Structural Analysis of Sepid Shamloo Poetry, Journal of the Faculty of Literature and Humanities, Mashhad University, No. 157
• Sabzevari, Hamid (2008), Travel in Love, Tehran, Teka Publishing
• Mousavi Garmaroodi, Ali (2013), Purple Dream, Tehran Surah Mehr
• Pournamdarian, Taghi (2002), In the Shadow of the Sun, Tehran Sokhan
• Lawrence, Perrin (1373), About Poetry, translated by Fatemeh Rakaei, Tehran :ettelat
• Selden, Ram (1998), Guide to Contemporary Literary Theory, translated by Abbas Mokhber, Tehran
• Propp, Deladimir (1989), The Morphology of Fairy Tales, translated by Fereydoon Badraei, Tehran.Tous
• Ahmadi, Babak (1996), Text Structure and Interpretation, Tehran:Markaz
• Dan, A. (2004), Structuralism and Poststructuralism, translated by Abolfazl Sajedi, Journal of the Seminary and the University, No. 39
• Lawrence, Perrin (2000), Poetry and Elements of Poetry, translated by Gholamreza Salagi, Tehran Rahnama
• Nejati, Parvaneh (2008), More Fragile than Me, Tehran, Teka Publishing
• Shafiee Kadkani, Mohammad Reza (1987), Imagination in Persian Poetry, Tehran: Agah
• Braheni, Reza (1344), Gold in Copper, Tehran, Mehr Printing House
• Fotouhi, M. (2004), Emotion, Attitude, Image, Journal of Literary Studies, Year 1, No 1
• Alavi Moghadam, Mahyar (1998), Theories of Contemporary Literary Criticism, Tehran:samt
• Hosseini, Seyed Hassan (2008), in unison with Ismail's throat, Tehran, Surah Mehr